Download PDF Hellboy Omnibus Volume 4: Hellboy in Hell (Hellboy in Hell Omnibus) By Mike Mignola
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Ebook About The Hellboy saga concludes, with the most ambitious chapter, Hellboy in Hell, collected in its entirety--all written and drawn by Mike Mignola.On the heels of Hellboy Omnibus Volume 3: The Wild Hunt, Hellboy is cast into Hell, where familiar faces reveal secrets of his origins, and previously unknown family members come forward. Hellboy forever alters the face of Hell, giving new significance to his role of Beast of the Apocalypse. While featuring big answers and one of the most momentous choices Hellboy's ever made, Hellboy in Hell also offers a return to the simplest and best Hellboy stories, as Hellboy roams a unique world only Mignola could present, filled with strange and magical encounters rich with the power of folklore and myth. The four volume Hellboy Omnibus series along with the two volumes of The Complete Short Stories collect all of Mignola's award-winning Hellboy stories in chronological order for a definitive reading experience.Book Hellboy Omnibus Volume 4: Hellboy in Hell (Hellboy in Hell Omnibus) Review :
I'm kind of a Hellboy outsider, but I fell in love with ‘Hellboy: The First 20 Years’, a fabulous collection of Mignola's covers and other artwork, and it made me realize I wanted to read more Mignola-drawn Hellboy stories. I started with ‘Conqueror Worm’, because I'd heard it was the last arc he'd drawn himself, but I didn't care for it. The subject matter and story just didn't connect with me, and even the artwork seemed a bit dated compared to his more recent work. It dawned on me that ‘Hellboy In Hell’ was where I needed to start.I read the trade paperbacks first. The covers of the trades (w/muted green and blue-grey backgrounds) are particularly attractive, I think. I'm not such a fan of the library edition covers; they're stylized but uninteresting. But I realized that I appreciated the oversized format of ‘The First 20 Years’, and that the library edition of ‘Hellboy In Hell’ might ultimately be more satisfying. When I saw that its extras included tonal versions of the ‘painted’ pages from “The Hounds of Pluto” (issue #7), that pushed it over the edge. (Plus: A short comic by Katie and Mike Mignola, “The Magician and The Snake”, that may help connect some dots regarding the book's ending.)At this point, I think I've read the whole H-in-H series twice, and many of the plot points have become clearer as a result. The beauty is that even if you miss a few details the first time around, it's a still a beautiful work and an enjoyable read. Personally, I probably get the most out of Mignola's attempts at visualizing the landscapes of Hell, which are much more varied than I'd have imagined. We're introduced to many of these settings early on, and then later in the series their relationships and mapping are made clearer by several characters. I think the series gets even better in its second half. “The Trials of Dr. Hoffman” might be my favorite issue, but the return of the demon and his grandmother (from “The Three Gold Whips”) in the series' finale was also very effective. The ending itself was a bit elliptical; I still don't know what the final scene means, but that's OK.About the Library Edition: It's massive! It's not as large as an Artist's Edition, but it's big, thick, and heavy. You'll probably have to rest the book on your lap or a desk to read it. If you're nearsighted like I am, this makes it harder to read than a trade paperback, due to distance. (These books would be much easier to handle at half their length—in other words, published singly, just like the trades. I wonder why they're doubled up?) Interestingly, the book's proportions do not match the trades; they're a bit wider, with greater margins at the sides. The margins give each page more breathing room and make it feel more separate (as opposed to being part of a two-page spread). Meanwhile, the book's larger scale places more emphasis on individual panels and artwork, encouraging lingering over details rather than just reading through the page. The proportions also demand alternative croppings for full-bleed panels: Here and there, you'll see bits of artwork along the sides that you won't see in the trade, while other bits may be missing at the top or bottom.My advice: If you're looking to improve muscle tone with high repetitions, get the trade paperbacks. If you want to bulk up and build some serious muscle mass, get the library edition (and some protein powder). Either way is a good choice. Just get out there and exercise.Finally, an observation: When it comes to shipping, Amazon have no idea how to package. My book was tossed into an oversized box with some "water-wing" style polybags thrown on top of it. There was nothing to prevent the book from shifting and sliding and getting damaged along any of its four edges, and no cushioning for the back side. I'm very lucky it arrived unscathed. The book itself was shrinkwrapped (by Dark Horse), which prevented scuffing. Thankfully, Amazon allows you to provide packaging feedback for every order. The final omnibus collection of Mignola's iconic run on Hellboy sees the titular character return to the place of his birth. Drawing on numerous classical interpretations of Hell, Mignola's final book in the main Hellboy series is a gorgeous and haunting experience that is also reminiscent of Dante's Inferno (with Hellboy wandering the circles of Hell this time instead of Dante the poet). The book draws on the many short stories Mignola wrote for the character as well as the main series' plot (you definitely do want to have read the short story collections, however, as a few characters from those stories show up here like Hellboy's "wife" and the vampire of Poland). The story ends on a slightly open note that Mignola himself admits in the introduction and epilogue materials may not satisfy all of his readers but feels fitting for the character. Overall it is a fitting dark, beautiful, and weird final chapter for Mignola's most famous character. 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